
The Dance of Spring
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Image size:45 × 55 cm
In the East, spring is not merely a season. It is the moment when the world remembers itself. Before you is a garden at the hour of its highest triumph. A pomegranate tree in full fruit, a white flowering tree beside it — almost weightless, like a cloud that has settled upon the earth — and a cypress, reaching upward, stern and silent. And in the background, a minaret, a Bukhara one, recognizable. The artist places his characters not in an abstract paradise but in a specific place — Central Asia, a city, a history. In this garden there are four figures. A dancer in scarlet — she is not performing, she is answering. Answering the music of the dutar, the beat of the doira, the very movement of spring around her. Two musicians are immersed in the sound the way one is immersed in prayer. The fourth figure, a little apart, watches — and in this watching too there is participation. In the classical Persian and Turkic poetry that the Bukhara masters illustrated, the spring garden is always a twofold image. The outer one — flowers, music, youth. And the inner one — the soul, awakening from its slumber, discovering within itself the capacity for joy. This is precisely why no one here looks at one another — everyone looks inward or upward. The border is executed in the technique of gold tooling on a deep blue field: flying cranes, hares in the grass, fantastical birds — this whole world frames the main subject like a living boundary between the ordinary and the sacred. About the work The work is created in the tradition of the Bukhara miniature of the 16th–17th centuries, when the workshops of Bukhara under the Shaybanids illustrated the poetic manuscripts of Navoi, Jami, Nizami. Every detail — from the folds of the garments to the veins on the leaves — is executed by hand with the finest brush. The golden sky in the upper part of the picture is not merely a background: in the tradition of the Eastern miniature, gold signifies a space beyond time. Details Base: Natural handmade Bukhara silk paper (90% silk, 10% cotton) Technique: Tempera, watercolour, natural plant and mineral pigments, gold leaf (23 carat) An exclusive original work, possessing high artistic and investment value. Price and terms of acquisition are provided upon individual request.

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